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Wednesday, March 15, 2017
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Women, Art and Fibers: Contemporary Responses to Abolition and the Journey North
- Location: CVPA: College of Visual and Performing Arts
, 285 Old Westport Road, Dartmouth, MA
- Contact: University Art Gallery
- Description: Location: CVPA Campus Gallery, University of Massachusetts Dartmouth, 285 Old Westport Road, North Dartmouth
Exhibition dates: March 8, 2017 - April 4, 2017
Opening Reception: Wednesday, March 8, 4-6 pm, Comments by the Artists: 5 pm
Guest-Curated by Laurie Carlson Steger and Dr. Memory Holloway
Exhibiting Artists: Cathryn Amidei, Suzi Ballenger, Laurie Carlson Steger, Sonja Dahl, Barbara Eychaner, Brooks Harris Stevens, Karen Hampton, Margaret Leininger, Faith Ringgold, Linda Rhynard, Marcia Weiss, plus members of the Sisters in Stitches Joined by the Cloth Quilt group, Naomi Henry, Lesyslie Rackard, Christie Rawlins-Jackson, Kimberly Radcliffe, and Susi Ryan
Women, Art and Fibers: Contemporary Responses to Abolition and The Journey North, focuses on the influences of the slave trade, the whaling industry and the textile industry which linked New Bedford MA and Savannah, GA.
The exhibition, hguest-curated by Laurie Carlson Steger and Dr. Memory Holloway, with work by fifteen fiber artists from across the nation, includes historic garments from the Rotch-Jones Duff House and Garden Museum as well as a story quilt from the New Bedford Historical Society. The opening reception with the comments by the artists is held on Wednesday, March 8, from 4 to 6 pm. Visitors are advised to use Parking Lot 7. An exhibition catalog written by Dr. Memory Holloway, will be available.
The selected works respond to local Quaker and abolitionist histories and stories of the enslaved who escaped via the Underground Railroad, often passing through New Bedford. Traditional and contemporary textile techniques and materials create artworks of compelling solidarity and stature that unite a diverse community.
The exhibition is held in conjunction with International Women's Month, and New Bedford's Fiber Art Month.
This program is supported in part by a grant from the Dartmouth Cultural Council, which is a local agency supported by the Massachusetts Cultural Council, a state agency.
Additionally, we would like to thank the following for their generous assistance in making this exhibition possible: ACA Galleries in New York City, LCH Designs, New Bedford Historical Society, Rotch-Jones-Duff House and Garden, Sisters in Stitches Joined by the Cloth with special thanks to Anderson Airmotive Products Company Inc., Fall River, MA.
CVPA Campus Gallery
College of Visual and Performing Arts
University of Massachusetts Dartmouth
285 Old Westport Road, North Dartmouth, MA 02747 (Parking lot 7)
Gallery Hours
Monday through Thursday 10am- 4 pm
Fridays 10 am - noon
umassd.edu/cvpa/galleries
facebook.com/UMassDartmouthGalleries
- Link: http://www.umassd.edu/cvpa/galleries
- Topical Areas: Faculty, General Public, Staff and Administrators, Students, Students, Graduate, Students, Undergraduate, University Community, College of Visual and Performing Arts, Exhibits, University Marketing, Alumni Events
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2:00 PM
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4:00 PM
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Word Tables, Graphics & Templates
- Location: Claire T. Carney Library
, 285 Old Westport Road, Dartmouth, MA
- Cost: Free!
- Contact: > See Description for contact information
- Description: This workshop covers Microsoft Word’s tables and graphics features in detail. The effective use of these tools will make your documents more professional and memorable. This workshop also explores the use of templates, and other time-saving features of Word. Templates are used as blueprints for standardized documents, such as stationery. Using templates eliminates the repetitive task of creating each document from scratch. Familiarity with the basic text-editing features of Word is required.
This workshop takes place in the Library, room 135.
Contact Rich Legault for more information at 508-999-8799,
or email RLegault@umassd.edu.
Seating is limited, so please register today!
- Topical Areas: Training, Workshop, audience: Everyone
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Peer Health Educator Recruitment
- Location: > See description for location
- Contact: LiveWell: Office of Health Education, Promotion, & Wellness
- Description: JOIN OUR TEAM. We're Recruiting for the 2017-2018 Academic Year. Visit http://www.umassd.edu/phe for important information, dates, & deadlines!
- Link: http://www.umassd.edu/phe
- Topical Areas: Students, Students, Undergraduate, Corsairs Care, Health Services, Livewell
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Exhibition: Singular Repetitions
- Location: Star Store, New Bedford
, Purchase Street, New Bedford
- Contact: University Art Gallery
- Description: The exhibition, Singular Repetitions at UMass Dartmouth University Art Gallery in Downtown New Bedford features one-of-a-kind prints by Lindsey Beal, Kim Gatesman, Amanda Means, Denny Moers, and Michael Rich. The reception is on Thursday, AHA! Night, February 9 from 7 to 9 pm with the artists' talk at 7.30 pm.
Singular Repetitions presents work created in various techniques from daguerreotypes to electrostatic monoprints, exploring the limits of printmaking as a medium as well as experimental approaches to the monoprint and photographic monoprint.
Lindsey Beal is a photo-based artist in Providence, whose work combines historical and contemporary lives of women with historical photographic processes, such as daguerreotypes. Both her abstract cyanotype prints that are embedded in resin within Petri dishes and her Venus series, carry hidden stories.
New Bedford based printmaker and painter Kim Gatesman explores scientific visualization and physics. For this exhibition, she created a new body of work that makes her experiments with static electricity visible with the help of black powder pigments utilizing her unique combinations of electrostatic monotype and chine collage.
Amanda Means is known for her experimentation with alternative, camera-less photography. This artist, based in Beacon, NY presents abstract works that result from her unique understanding of the darkroom process. Her technique allows her to 'play' with the surface of the paper, folding or scoring it while permitting the liquid chemicals to make their marks in a more or less controlled environment.
Rhode Island artist Denny Moers presents a new body of work in his series, titled Consumed Structures that use images of old houses altered over time by nature. The surface of these photographs is further altered during the print developing process by controlling the action of light on the darkroom chemicals applied on sensitized photographic paper. Through his unique process, Moers is able to obtain colors from black to deep rust in his black-and-white images.
In his new series, Michael Rich who lives and works in Providence, RI and Nantucket MA, creates abstract layered intaglio monoprints using a combination of various etching plates in different hues. They are often turned upside down and paired with additional or repetitive images in color to create depth and the interactions of form.
The show, Singular Repetitions, offers a quietly exciting, focused, calculated, yet very free and experimentally based opportunity to question the established rules of printmaking and the photographic process.
New Bedford based printmaker and painter Kim Gatesman explores scientific visualization and physics. For this exhibition, she created a new body of work that makes her experiments with static electricity visible with the help of black powder pigments utilizing her unique combinations of electrostatic monotype and chine collage.
Amanda Means is known for her experimentation with alternative, camera-less photography. This artist, based in Beacon, NY presents abstract works that result from her unique understanding of the darkroom process. Her technique allows her to 'play' with the surface of the paper, folding or scoring it while permitting the liquid chemicals to make their marks in a more or less controlled environment.
Rhode Island artist Denny Moers presents a new body of work in his series, titled Consumed Structures that use images of old houses altered over time by nature. The surface of these photographs is further altered during the print developing process by controlling the action of light on the darkroom chemicals applied on sensitized photographic paper. Through his unique process, Moers is able to obtain colors from black to deep rust in his black-and-white images.
In his new series, Michael Rich who lives and works in Providence, RI and Nantucket MA, creates abstract layered intaglio monoprints using a combination of various etching plates in different hues. They are often turned upside down and paired with additional or repetitive images in color to create depth and the interactions of form.
The show, Singular Repetitions, offers a quietly exciting, focused, calculated, yet very free and experimentally based opportunity to question the established rules of printmaking and the photographic process.
- Link: http://www.umassd.edu/cvpa/galleries
- Topical Areas: Faculty, General Public, Staff and Administrators, Students, Students, Graduate, Students, Law, Students, Undergraduate, University Community, College of Visual and Performing Arts, Concerts, Exhibits, Films, Literature, Poetry, Theater, Visual Arts, University Marketing
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10:00 AM
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12:00 PM
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SUMMIT 201 Finance Hands-on Session
- Location: Claire T. Carney Library
, 285 Old Westport Road, Dartmouth, MA
- Contact: Kirk Hellmuth
- Description: In this workshop, we will all have a computer to follow along.
We will review the various finance dashboards, review how to navigate
screens, drill downs, export files, save favorites, etc.
You will sign in with your own ID, so you MUST have your access approved and ready to go before the class.
It will be held in Library Room 135. 10 computers are available.
- Topical Areas: Training, Workshop, audience: Faculty, audience: Staff, topic: Finance
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