|
12:00 PM
-
2:00 PM
|
-
MASTER OF ARTS THESIS DEFENSE BY: Cournty Franco
- Location: Liberal Arts Building 3rd Floor
- Contact: > See Description for contact information
- Description: Subject: MASTER OF ARTS THESIS DEFENSE BY: Cournty Franco
To: Faculty, Students and Guests
From: Dr. Jennifer Fugate, Advisor
Subject: Master of Arts Thesis Defense By: Courtny Franco
Topic: Color and Emotion: Cross-cultural Perspectives
Date: December 13, 2018
Time: 12:00 pm
Location: LARTS 374
ABSTRACT:
Do native speakers across various languages agree that certain colors represent discrete emotions (e.g. anger, fear, etc.)? In the current study, I examined whether native-English (n = 50), French (n = 26), Portuguese (n = 53), and Spanish (n = 48) speakers, as well as English-bilingual individuals (n = 52), agreed on what colors (presented as twenty-eight color swatches) represented a set of twenty emotions (written as words). Specifically, I investigated whether there was shared agreement (i.e. consistency and specificity) among color-emotion pairings both within and across the four languages and bilinguals. Overall, I did not find widespread shared agreement within or across languages, with few exceptions: The color red was consistently paired with love for native-English, Portuguese, and Spanish speakers, and the color gray was consistently paired with disappointment, but only for native-English speakers. Furthermore, dark red was specific to anger, green to envy, and light red to love, but only for native-English speakers. No color-emotion pairings were both specific and consistent in any language or among bilinguals. In addition, I found that how a language labels a color better predicts emotion-color agreement than the physical properties of the color. My findings are consistent with the Theory of Constructed Emotion in which there are no diagnostic features specific to each emotion: Rather emotions are created when perceiver's use their conceptual knowledge, including language, to place more rudimentary information into discrete categories.
Open to the public.
Committee Members: Dr. Mahzad Hojjat and Dr. Mary Kayyal, Department of Psychology
Contact: Dr. Jennifer Fugate (jfugate@umassd.edu or 508.999.8397)
- Topical Areas: General Public
|
|
«
11/8
-
1/30
»
|
-
Black Spaces Matter: Celebrating New Bedford's Abolition Row
- Location: University Art Gallery
- Contact: University Art Gallery
- Description: Black Spaces Matter: Celebrating New Bedford's Abolition Row
Exhibition Dates: November 8, 2018 - January 30, 2019
Location: UMass Dartmouth University Art Gallery, Star Store Campus, 715 Purchase Street, New Bedford, MA 02740
Exhibition features the story of Abolition Row in New Bedford, MA, where African American historical figures such as Frederick Douglass and abolitionists resided. Black Spaces Matter: Celebrating New Bedford's Abolition Row includes virtual reality neighborhood tours, documentary films, 3-D printed models, artistic illustrations, student projects, historic maps, and photographs.
Gallery Events:
Reception and Panel Discussion: Thurs, Nov 8, 6-8 PM
6PM: Doors open
6:30- 6:45PM: Learning from Black Neighborhoods. Pamela Karimi, Associate Professor of Art History at UMass Dartmouth
6:45-7:05PM: Abolition Row and the Underground Railroad in New Bedford and Beyond. Lee Blake, President of the New Bedford Historical Society
7:05- 7:30PM: Panel discussion with exhibition contributors moderated by Art History Professor Pamela Karimi
Lecture: Thurs, Nov 15 6-8 PM
Lecture on Race & Architecture by Itohan Osayimwese, Professor of Architectural History, Brown University
Roundtable Discussion: Thurs, Nov 29, 6:30-7:30PM
Filming Abolition Row. Roundtable discussion on interpreting stories into film with filmmakers Don Burton and Ann Marie Lopes and New Bedford Whaling National Historical Park's Cultural Resource Specialist, Janine da Silva.
Lecture: Thurs, Dec 6, 6-8PM
New Bedford Historical Society presents: Anne Louro, City of New Bedford Preservation Planner. Discussion on creative placemaking and the creation of Abolition Row as the City's newest Historical District.
Lecture: Thurs, Dec 13, 6-8PM
New Bedford Historical Society presents: Digging History with Craig Chartier, archeologist who conducted the dig at the Abolition Row Park site.
Curator's Statement
This exhibition showcases the abolitionist neighborhood near the New Bedford Whaling National Historical Park. This neighborhood, which was the home of many African Americans, white and black abolitionists, and former slaves, provides a lens with which one may study interracial aspects of American cities. Massachusetts abolished slavery in 1783, more than 80 years before the Thirteenth Amendment. However, federal law supporting slave owners superseded this law and there were cases of slaves being “reclaimed†from Massachusetts in the years that followed. A strong network of abolitionists, both black and white, gave New Bedford its claim to fame that no slave was ever forcibly “reclaimed†from it.
New Bedford’s architecture reflects a period of relative racial equality and tolerance in “the City that lit the world†during its whaling boom. This neighborhood includes a mixture of Gothic Revival, Federal, Greek Revival, and early Italian homes, as well as modest cottages. Important historical figures, such as Fredrick Douglass and Lewis Temple, resided in these homes.
In recent years, we have seen a growing body of literature on race and architecture. However, this scholarship has focused mostly on the negative side of such built environments, lacking an in-depth exploration of the form and function of interracial neighborhoods. This exhibition celebrates the aesthetics and architectonics of New Bedford’s Abolition Row where many former slaves lived side-by-side with the rest of the population and engaged multiple aspects of the City’s interracial architecture.
Through this exhibition, local New Bedford experts along with students and faculty from UMass Dartmouth reveal a lesser-known progressive interracial neighborhood in the United States.
Support
Black Spaces Matter is supported by New Bedford Historical Society, Creative Economy Fund from the Office of the UMass President, UMass Dartmouth Provost Office, Perkins + Will Associates, Rotch–Jones–Duff House and Garden Museum, and Spinner Publications.
Participants
Lead curator: Pamela Karimi | Architectural renderings, model production, and maps: Pedram Karimi and students in Architecture and Sustainability class| Film, animation, and digital curation: Don Burton | Artistic representations: Michael Swartz | Advertisement and graphic design: Ziddi Msangi, Racsa Soun, Vasco Pedro and students in Community Engagement Design studio| Digital stations: Michael Swartz, Don Burton, Ben Guan-Kennedy, and Merri Cyr| Production Manager: Jennifer McGrory| Consultant: Lee Blake | Curatorial assistance: CVPA students and gallery director, Viera Levitt.
Contact
University Art Gallery
Star Store Campus
715 Purchase Street
New Bedford, MA 02740
gallery@umassd.edu / 508.999.8555
www.umassd.edu/cvpa/galleries
www.facebook.com/UMassDartmouthGalleries
Gallery Hours: 9 am - 6 pm daily, closed on major holidays.
Open until 9 pm during AHA! Nights (the second Thursday of every month)
- Topical Areas: Alumni, Faculty, General Public
|
